Born 1964, Lutcher, Louisiana
Lives and works in Oakland, California
EDUCATION
Tulane University, New Orleans, Louisiana
SOLO EXHIBITIONS
2026
Título Salvaje ⇄ Salvaged Title, Stanislaus State University, Turlock, California (as Tropeycalia Club) (catalog)
Upcoming
Título Salvaje ⇄ Salvaged Title, University Galleries, California State University, Sacramento, Sacramento, California (as Tropeycalia Club)
2023
Devil’s Paradise, Fourth Wall Gallery, Oakland, California
2020
Decadent Decades: Oakland / Albisola Years, The Fourth Wall, Oakland, California (catalog)
2017
Hoodwink by Didactix, Jack Fischer Gallery, San Francisco, California
2015
Retrospectives, Jack Fischer Gallery, San Francisco, California
2014
Parochial Beacon, Paolo Mejia Gallery, San Francisco, California (as Izuuk Rigor)
2012
Solace From the Wild Side, Jack Fischer Gallery, San Francisco, California
2010
Don’t Waste My Time, Oberpfalzer Künstlerhaus II, Schwandorf, Germany
Gone Adrift, Freies Museum, Berlin, Germany
2009
Splendor of Indulgence Nothingness, Rice/Polak Gallery, Provincetown, Massachusetts (as Miju)
Compota, Pablo Gallery, Metro Manila, Philippines (as Miju)
Mambo Without Swing: The Forgotten Pictorial History of the Etiology of Power, SFMOMA Artist Gallery at Fort Mason, San Francisco, California
2008
Gristle Pays Homage to the Benevolent Sausage, Mag:net Gallery, Quezon City, Philippines (as Miju, with Manuel Ocampo)
Denizens of Happylandia, Taylor Bercier Fine Arts, New Orleans, Louisiana (catalog)
Effigies and Demagogues, Jack Fischer Gallery, San Francisco, California (as Miju) (catalog)
2006
American Lullaby Series, Djerassi Resident Artists Program Open House, Woodside, California
2004
Blinded by Omnipotence, John Berggruen Gallery, San Francisco, California
2003
Choque Cultural, Centro de Desarrollo de las Artes Visuales, Havana, Cuba
Misadventures of a Sidestepping Idealist, Babilonia 1808, Berkeley, California
2001
Gozar Con La Patria, Mario Villa Gallery, New Orleans, Louisiana
2000
Ahi Na’ Ma, 1078 Gallery, Chico, California
SELECTED GROUP EXHIBITIONS
2025
Plastics, The New Coal, Apexart International Exhibition, The Descendent Project, Vacherie, Louisiana
Printed Matter’s Los Angeles Art Book Fair, with Manila-based Artery Art Space, Los Angeles, California
2024–25
A Nation Takes Place, Minnesota Marine Art Museum, Winona, Minnesota (catalog)
2024
Odd, Inspired & Sublime: A 2024 Culmination, Fourth Wall Gallery, Oakland, California
2023
Insurgent Ecologies, New Orleans Center for the Gulf South at Tulane University and Antenna, New Orleans, Louisiana
2021
Very Good in Spurts, Golden Cargo, Manila, Philippines
2020
Quarantine Copy, Kunstverein Miagao, Iloilo, Philippines
Passages, Fontecchio International Airport, Fontecchio, Italy
2019
Our Thoughts and Prayers Are with You, Carl Cherry Center for the Arts, Carmel, California
Statements of Accounts, Mono8, Manila, Philippines
Pulp: Works Involving Paper, Jen Tough Gallery, Benicia, California
Arte Extraordinario: Recent Acquisitions, Crocker Art Museum, Sacramento, California
2018
Bastards of Misrepresentation – Planet Merde, Galerie Melike Bilir, Hamburg, Germany
Compulsory Contradiction, Vinyl on Vinyl Gallery, Manila, Philippines
Tropeycalia Club, Skyline College Art Gallery, San Bruno, California
All That You Have Is Your Soul, Faction Art Projects, New York, New York
2016
PULSE Miami Beach 2016, Jack Fischer Gallery, Miami, Florida
Tropical Convergence Zone, Viva Excon 2016, Iloilo City, Philippines
Abortion of Cute, 8 Salon, Hamburg, Germany
Electric Bulalo: Painting in Exile, Vinyl on Vinyl, Manila, Philippines
Topsy Turvy, Finale Art File, Manila, Philippines
Krowsworkerswork, Krowswork, Oakland, California
The Human Spirit, Richmond Art Center, Richmond, California
2015
Miami Project 2015, Jack Fischer Gallery, Miami, Florida
Tropes of Expectations, Vinyl on Vinyl, Manila, Philippines
Mirage, XII Havana Biennial Collateral Exhibitions, Havana, Cuba
2014
Paint Plethora, Studio Grand, Oakland, California
Oakland Music Festival, Local Artist Exhibit, Era Bar, Oakland, California (as Izuuk Rigor)
2013
Paradox Maintenance Technician, Torrance Art Museum, Torrance, California (catalog)
DEFILE, Galleria Duemila, Metro Manila, Philippines (catalog)
2012
Corresponding Views, NIAD Art Center, Richmond, California
La Espina, Alley Cat Bookstore, San Francisco, California
Man, Myth and Monsters, LeMieux Gallery, New Orleans, Louisiana
2011
Cuban Collection, MACLA, San Jose, California
Agarra Juicio: The Ghost Poo of Painting, Edelo, San Cristóbal de las Casas, Chiapas, Mexico (as AFKAF)
Social Commentary, Space 301, Mobile, Alabama
2010
Diluvial Hood, Freies Museum, Berlin, Germany (as Miju and Club S&S)
Free-Range Aesthetics: Pussyfooting Through the Detritus Mind Field of Reality, Skyline College, San Bruno, California (as AFKAF)
Amor Fati, Joyce Gordon Gallery, Oakland, California (as Miju)
2009
Sorry Friend, This Is No Hemorrhoids ;-{o>, A440 Gallery, San Francisco, California, and Finale Art File, Manila, Philippines (as AFKAF)
Strange Hope, Galeria de la Raza, San Francisco, California (as Miju)
Opening Salvo for Suite 418, Jack Fischer Gallery, San Francisco, California
2008
Room for Big Ideas, Bay Area Now 5, Red Poppy Art House / Yerba Buena Center for the Arts, San Francisco, California
Politique Poetique, Skyline College, San Bruno, California
Insider/Outsider, Root Division, San Francisco, California
Miju, Red Dot Art Fair, Jack Fischer Gallery, New York, New York
Paper Works, SFMOMA Artist Gallery, San Francisco, California
Beyond Child Play, MACLA, San Jose, California
2007
Miju, Red Dot Art Fair, Jack Fischer Gallery, Miami, Florida
Painted Dreams, Donna Seager Gallery, San Rafael, California
Alienated Mass Historia, Root Division, San Francisco, California
Pistolitas de Azucar: Cultura, Pop, and Whimsy, Galería de la Raza, San Francisco, California
Drawn From New Orleans: 20th Century Works From Private Collections, Newcomb College Art Gallery, New Orleans, Louisiana
2006
Outside–Inside–Out, Space 301, Mobile, Alabama
Sin Miramiento Alguno (Arte Iberoamericano Actual), in conjunction with the Havana Biennial, Havana, Cuba
Cuentos Caseros, Creative Growth Art Center, Oakland, California
Virus Show, Lobot Gallery, Oakland, California
2005
Comercielo, Red Poppy Art House, San Francisco, California
Latin Spirit, SFMOMA Artist Gallery, San Francisco, California
It’s Not Rocket Science, Bayennale, Oakland, California
2004
Rogue Nations: Cuban and Chinese Artists, MACLA, San Jose, California
2003
Cuba on My Mind, Art Gallery, Cesar Chavez Student Center, San Francisco State University, San Francisco, California
Un/Familiar Territory, San Jose Museum of Art, San Jose, California
2002
Is the Medium in the Message?: Contemporary Art from the Permanent Collection, San Jose Museum of Art, San Jose, California
2001
Contemporary Devotion, San Jose Museum of Art, San Jose, California
COLLABORATIVE PROJECTS
Tropeycalia Club — Collaboration with John Yoyogi Fortes and Carlo Ricafort, 2018–present
Artist Formerly Known As Friends (AFKAF) / rtst4mrlyknwnasfrnd <0}-:) — Collaboration with Arvin Flores, Carlo Ricafort, David Griggs, Gerry Tan, and Manuel Ocampo, 2009–2011
Izuuk Rigor — Collaboration with Carlo Ricafort, 2014–2015
Miju — Collaboration with Michele Muennig, 2007–2010
Club S&S — Collaboration with Stephen Paul Day and Sibylle Peretti, 2010
CURATORIAL PROJECTS & JURY SERVICE
2014–2017
Co-Founder, Random Parts, artist-run project space, Oakland, California
2011
Juror, Djerassi Resident Artists Program, Woodside, California
2009
Juror, Skyline College, San Bruno, California
2006
Cuentos Caseros, Creative Growth Art Center, Oakland, California
2005
Port of Oakland Art Commission, Oakland, California
LECTURES & ARTIST TALKS
2026
Stanislaus State University, Turlock, California
2025
See(d), Artist Series, Oakland, California
2023
Fourth Wall Gallery, Oakland, California
2022
Laney College, Painting Class, Oakland, California
2020
Fourth Wall Gallery, Oakland, California
2019
Center for Latin American Studies, Stanford University, Stanford, California
2018
California State University Monterey Bay, Visiting Artist, Monterey Bay, California
2017
Jack Fischer Gallery, San Francisco, California
2015
Jack Fischer Gallery, San Francisco, California
2014
Hunter College, New York, New York
University of California, Berkeley, History Department, Berkeley, California
2011
MACLA, San Jose, California
Edelo Intercultural Residency Program, San Cristóbal de las Casas, Chiapas, Mexico
Universidad de Ciencia y Arte de Chiapas, Tuxtla Gutiérrez, Mexico
2008
MACLA, San Jose, California
2007
Galería de la Raza, San Francisco, California
2006
Creative Growth Art Center, Oakland, California
Djerassi Resident Artists Program, Woodside, California
2003
Babilonia 1808 Emerging Artist Program with Jenifer Wofford, Berkeley, California
Centro de Desarrollo de las Artes Visuales, Havana, Cuba
2000
1078 Gallery, Chico, California
AWARDS & RESIDENCIES
2024
A Studio in the Woods Artist Residency, New Orleans, Louisiana, in conjunction with A Nation Takes Place, Minnesota Marine Art Museum, Winona, Minnesota
2022
Joan Mitchell Center Residency Program, New Orleans, Louisiana
2016
Joan Mitchell Painters and Sculptors Grant Award
2011
Edelo Intercultural Residency Program, San Cristóbal de las Casas, Chiapas, Mexico
2010
Oberpfalzer Künstlerhaus II Art Residency, Schwandorf, Germany
2006
Phyllis C. Wattis Foundation Fellowship through the Djerassi Resident Artists Program, Woodside, California
2002
Valparaiso Artist Residency, Mojácar, Spain
1998
Amsterdam Art Logan Graphics Award of Excellence in Printmaking, Berkeley, California
1996
Best of Show, Pro Arts Annual Juried Show, Oakland, California
1991
First Prize for Sculpture, Newcomb Spring Art Show, New Orleans, Louisiana
SELECTED COLLECTIONS
Crocker Art Museum, Sacramento, California
San Jose Museum of Art, San Jose, California
SELECTED REVIEWS, ESSAYS & PUBLICATIONS
Denizens of Happylandia, Exhibition Catalog, Cabin Fever, essay by Arvin Flores, 2008
MIJU: Effigies and Demagogues, Exhibition Catalog, “Luminous Umor,” essay by David Coulter, 2008
Pterodactilo, illustrations published for literary journal, University of Texas
Shotgun Review, online review, “Alienated Mass Historia,” Lian Ladia, August 4, 2007
Stretcher, “False Notes,” Emily Kunstler, June 2004
Radio 2050: Latino Art & Culture, KPFA, interview with DJ Aztec Parrot, 2004
Rogue Nations: Cuban and Chinese Artists, Exhibition Essay, Anjee Helstrup, Curator, MACLA, San Jose, California, 2004
Dédalo, Revista de Arte y Literatura, No. 5, Havana, Cuba, “Juan Carlos Quintana: Without Sugar There Is No Country,” essay by Antonio Eligio Fernández (Tonel), written for the exhibition Choque Cultural, Havana, Cuba, 2004
New American Paintings, No. 49, Pacific Coast, 2003
Noticias de Arte Cubano, “El Plano de la Memoria,” Yamel Perez Tasca, No. 9/10, September 2003
La Jiribilla, “Entre Dos Mundos,” Iris Cepero, October 2003
Golden Gate [X] Press, Issue 3, Volume XXVI, “Exhibit Given Two Views of Cuba,” Stephanie Mannle, September 2003
Artweek, “Cuba on My Mind,” David Buuck, November 2003
La Prensa, “Galleries Bring Latin Flair to New Orleans,” Katherine Hart, October 2001
The Gambit, “Identifying Signs,” New Orleans, Louisiana, October 2001
Arts Papers, “Juan Carlos Quintana / Michele Muennig,” Eric Bookhardt, July/August 1992
The Gambit, New Orleans, Louisiana, April 1992