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JUAN CARLOS QUINTANA
Capitalismo o Muerte
Hoodwink Didatix
Retrospectives
Solace From The Wild Side
Ghost Of Revolution
Gone Adrift
Highlights From Yesterday's Watershed Moments
American Lullabies
Idealist Lost In His Own Thoughts
Choque Cultural
Blinded By Omnipotence
Patria In A Nutshell
Monotypes & Etchings
About
CV
Contact
JUAN CARLOS QUINTANA
Capitalismo o Muerte
Hoodwink Didatix
Retrospectives
Solace From The Wild Side
Ghost Of Revolution
Gone Adrift
Highlights From Yesterday's Watershed Moments
American Lullabies
Idealist Lost In His Own Thoughts
Choque Cultural
Blinded By Omnipotence
Patria In A Nutshell
Monotypes & Etchings
About
CV
Contact
Folder: RECENT
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Folder: ARCHIVES
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Capitalismo o Muerte
Hoodwink Didatix
Retrospectives
Solace From The Wild Side
Ghost Of Revolution
Gone Adrift
Highlights From Yesterday's Watershed Moments
American Lullabies
Idealist Lost In His Own Thoughts
Choque Cultural
Blinded By Omnipotence
Patria In A Nutshell
Folder: PAPER
Back
Monotypes & Etchings
About
CV
Contact
Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)  (Copy) View fullsize

Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)

front view

paintings of various sizes, glass, metal, wheels, display case

100" x  48" x 21”

2015

Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)  (Copy) View fullsize

Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)

back view

paintings of various sizes, glass, metal, wheels, display case

100" x  48" x 21”

2015

Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)  (Copy) View fullsize

Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)

back view

paintings of various sizes, glass, metal, wheels, display case

100" x  48" x 21”

2015

 

Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40) (Copy) View fullsize

Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)

side view

paintings of various sizes, glass, metal, wheels, display case

100" x  48" x 21”

2015

Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)  (Copy) View fullsize

Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)

side view

paintings of various sizes, glass, metal, wheels, display case

100" x  48" x 21”

2015

Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) :  Not a Retrospective (Copy) View fullsize

Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) : Not a Retrospective

paintings of various sizes, glass, metal, wood, wheels, and found display case 

90" x 26" x 61”

2015

Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) :  Not a Retrospective (Copy) View fullsize

Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) : Not a Retrospective

paintings of various sizes, glass, metal, wood, wheels, and found display case 

90" x 26" x 61”

2015

Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) :  Not a Retrospective (Copy) View fullsize

Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) : Not a Retrospective

detail

Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) :  Not a Retrospective (Copy) View fullsize

Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) : Not a Retrospective

detail

Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) :  Not a Retrospective (Copy) View fullsize

Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) : Not a Retrospective

paintings of various sizes, glass, metal, wood, wheels, and found display case 

90" x 26" x 61”

2015

Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)  (Copy) View fullsize

Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)

detail

Essays on Cold War Rhetoric:  A Retrospective(1949 - 89) (Copy) View fullsize

Essays on Cold War Rhetoric: A Retrospective(1949 - 89)

detail

Essays on Cold War Rhetoric:  A Retrospective(1949 - 89) (Copy) View fullsize

Essays on Cold War Rhetoric: A Retrospective(1949 - 89)

paintings of various sizes, glass and wood display case

42 x 36 x 24”

2015

 

Essays on Cold War Rhetoric:  A Retrospective(1949 - 89) (Copy) View fullsize

Essays on Cold War Rhetoric: A Retrospective(1949 - 89)

paintings of various sizes, glass and wood display case

42 x 36 x 24”

2015

Essays on Cold War Rhetoric:  A Retrospective(1949 - 89) (Copy) View fullsize

Essays on Cold War Rhetoric: A Retrospective(1949 - 89)

install view

Reflections on Exile Part I (Entering the Forest) (Copy) View fullsize

Reflections on Exile Part I (Entering the Forest)

oil and acrylic on canvas

84” x 192”

2014-15

 

Reflections on Exile Part I (Entering the Forest)  (Copy) View fullsize

Reflections on Exile Part I (Entering the Forest)

detail

Soiree for the Nouveau Riche to Show Off Their New Art Collection (Copy) View fullsize

Soiree for the Nouveau Riche to Show Off Their New Art Collection

oil and acrylic on canvas

60" x 48"

2015

private collection

 

Art Collectors Descending on Unsuspecting Emerging Economies (Copy) View fullsize

Art Collectors Descending on Unsuspecting Emerging Economies

oil and acrylic on canvas

60" x 48" 

2015

private collection

Entering the Void (Copy) View fullsize

Entering the Void

acrylic on canvas

24" x 18”

2014

 

There Are No Words Left for the Intellectuals (Copy) View fullsize

There Are No Words Left for the Intellectuals

 oil and acrylic on canvas    

72” x 120”

2015

 

American Curator's Conference (Copy) View fullsize

American Curator's Conference

acrylic and collage on canvas

 12" x 9"

2014

Few Bright Moments (Copy) View fullsize

Few Bright Moments

acrylic on canvas

10" x 8"

2014

Bad Painting Years (Copy) View fullsize

Bad Painting Years

oil and acrylic on canvas

28" x 22"

2015

Crème de la Crème (Copy) View fullsize

Crème de la Crème

acrylic on canvas

63" x 48”

2015

 

Insourcing (Copy) View fullsize

Insourcing

acrylic on canvas

10" x 8"

2014

Take Nothing For Granted (Copy) View fullsize

Take Nothing For Granted

acrylic on canvas

10" x 8" 

2014

Untitled  (Copy) View fullsize

Untitled

acrylic on canvas

8" x 10"

2014

Untitled  (Copy) View fullsize

Untitled

acrylic on canvas

36" x 24"

2015

Committee Member For The Defense of Bad Paintings  (Copy) View fullsize

Committee Member For The Defense of Bad Paintings

acrylic on canvas

22" x 22"

2015

private collection

Yard Sale for the Gentrifiers (Copy) View fullsize

Yard Sale for the Gentrifiers

acrylic on canvas

16" x 20" 

2014

Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)  (Copy)
Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)  (Copy)
Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)  (Copy)
Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40) (Copy)
Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)  (Copy)
Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) :  Not a Retrospective (Copy)
Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) :  Not a Retrospective (Copy)
Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) :  Not a Retrospective (Copy)
Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) :  Not a Retrospective (Copy)
Revolutions Are Made To Liberate The Painter From The Humdrum Circumstances Of The Canvas, (an exercises on what really constitutes a good or a bad painting) :  Not a Retrospective (Copy)
Art Wishing To Become More Museum Friendly, A Twenty Year Retrospective (2020- 40)  (Copy)
Essays on Cold War Rhetoric:  A Retrospective(1949 - 89) (Copy)
Essays on Cold War Rhetoric:  A Retrospective(1949 - 89) (Copy)
Essays on Cold War Rhetoric:  A Retrospective(1949 - 89) (Copy)
Essays on Cold War Rhetoric:  A Retrospective(1949 - 89) (Copy)
Reflections on Exile Part I (Entering the Forest) (Copy)
Reflections on Exile Part I (Entering the Forest)  (Copy)
Soiree for the Nouveau Riche to Show Off Their New Art Collection (Copy)
Art Collectors Descending on Unsuspecting Emerging Economies (Copy)
Entering the Void (Copy)
There Are No Words Left for the Intellectuals (Copy)
American Curator's Conference (Copy)
Few Bright Moments (Copy)
Bad Painting Years (Copy)
Crème de la Crème (Copy)
Insourcing (Copy)
Take Nothing For Granted (Copy)
Untitled  (Copy)
Untitled  (Copy)
Committee Member For The Defense of Bad Paintings  (Copy)
Yard Sale for the Gentrifiers (Copy)

JUAN CARLOS QUINTANA

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